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・ Donald Howarth
・ Donald Hudson
・ Donald Hudson (aviator)
・ Donald Huffman
・ Donald Hugh Mackay
・ Donald Hugh Nagle
・ Donald Humason, Jr.
・ Donald Hume
・ Donald Hume (rower)
・ Donald Hunsberger
・ Donald Hunt
・ Donald Hunter
・ Donald Hunter (footballer, born 1927)
・ Donald Hunter (footballer, born 1955)
・ Donald Hunter (physician)
Donald Hustad
・ Donald Hyatt
・ Donald I. Williamson
・ Donald Igwebuike
・ Donald II of Scotland
・ Donald III of Scotland
・ Donald in Mathmagic Land
・ Donald in Maui Mallard
・ Donald In the Magic Cap
・ Donald Innis
・ Donald Insall
・ Donald Insall Associates
・ Donald Ivey
・ Donald Izacus Pandjaitan
・ Donald J. Albosta


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Donald Hustad : ウィキペディア英語版
Donald Hustad

Donald Paul Hustad (October 2, 1918 – June 22, 2013) was a recognized leader in evangelical church music for six decades. Although he was an esteemed musician, composer, and teacher, Hustad’s richest legacy resides in his informed criticism of evangelical church music and his well-developed philosophy of worship communicated through lectures, articles, and books.〔In addition to the sources documented below, this article is drawn from a dissertation by Rhonda S. Rogers, “The Life and Work of Donald Paul Hustad” (D.M.A., Southern Baptist Theological Seminary, 1988); updated research by Rhonda S. Furr; and research collected from the Donald Paul Hustad Collection (SC 5585), Special Collection, Harwell G. Davis Library, Samford University, Birmingham, Alabama.〕
==Family==
Born to Peter and Clara Hustad on October 2, 1918, in Yellow Medicine County, Minnesota, Hustad was a toddler when his father was killed in a hunting accident. Clara moved with her two sons to Boone, Iowa, where they lived in a church-related institution for indigent people. While the extremely conservative religious environment was repressive, the institution provided Hustad with unique music and work opportunities. His formal music training began with piano lessons at the age of four, and at eight years of age, he was playing gospel hymns in public worship and providing improvised accompaniments for the institution’s Christian radio station. By the end of grade school he had also learned Beethoven’s “Pathetique” Sonata, Opus 13, and Liszt’s transcription of the second Hungarian Rhapsody.
Early in his career, Hustad married Ruth McKeag. The pair have several children. Hustad credits Ruth with supporting his career, and recognizes that she has devoted her life to her husband and children. Ruth's roles as secretary and research assistant have also been significant, aiding Hustad in his writing and composition projects.

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